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	<title>runoperun.com</title>
	<link>https://runoperun.com</link>
	<description>runoperun.com</description>
	<pubDate>Thu, 25 May 2023 09:23:02 +0000</pubDate>
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		<title>RUN OPERUN</title>
				
		<link>https://runoperun.com/RUN-OPERUN</link>

		<pubDate>Tue, 27 Sep 2022 14:15:45 +0000</pubDate>

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	Latest News:Savarin - 15. - 18. 5. exhibiton PLAYGROUND by Jo Blin more info.&#38;nbsp;
	
	We are an independent opera company. For 10 years we have been making opera a tool for vocalizing contemporary issues.  We've done 10 productions. Thousands of people have come to see us. We've smuggled opera as we conceive it into the club, the Stalin or the Estates Theatre. Since 2020 we have managed the Savarin Riding Hall, a baroque building in the heart of Prague 1.


 




	


Our partners:


	

	


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Projekt je realizován
s finanční podporou
hl.m. Prahy



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Follow us on Instagram:

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

	

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		<title>repertoire</title>
				
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		<pubDate>Tue, 27 Sep 2022 14:15:51 +0000</pubDate>

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	Repertoire
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		<title>OPERAVE</title>
				
		<link>https://runoperun.com/OPERAVE</link>

		<pubDate>Thu, 25 May 2023 09:23:02 +0000</pubDate>

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	OPERAVE14. 6. 2023 Bike Jesus 
21:00 - 00:00&#38;nbsp;

If you don't come to the opera, the opera will come to you - maybe even to a rave. We bring to the Prague stage something between Berghain and Bayreuth.  

We are introducing a new dimension of partying, where it will make sense that you dance to classical and electro music at the same time. With this concept we are coming to the pulsating heart of the Prague club scene - Bike Jesus. By combining opera singers*, DJs and techno atmosphere, this will create OPERAVE. Don't expect a performance or a concert - we'll bring elements of opera to the rave as it should be. Opera and electro music will become equal partners. Entertainment will be provided by Noisy Pots, Tanita Yank, and opera singers Bella Adamova and Kristýna Kůstková.

At OPERAVE, we break down the barriers between the glitzy opera culture and the nightlife of the raves, building on the values where both musical worlds can work together. You will feel comfortable regardless of which genre you prefer.

The project was supported by the Prague Quadrienalle, PerformCzech, the Prague 7 Municipality and the OSA Grant Programme.


	

	
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	Get your tickets here:&#38;nbsp;



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	PhotogalleryPhotos by: Josef Kader Agha, Svatopluk Ručka

	
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	Artists &#38;amp; production

	Artists:&#38;nbsp;
Noisy Pots – Jakub Tengler 
a Michal Šupak&#38;nbsp;
Tanita Yankova&#38;nbsp;
Bella Adamova&#38;nbsp;
Kristýna Kůstková



	Producers: 
Martina Watzková
Mahulena Vondrášková

Sound design: 
Michal Brůna

Make-up artist:Justina UrbanováStylist:Vojtěch HanyšVisuals:Svatopluk Ručka

	Thank you for financial support: 

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	Do you like it?
Get your tickets now.






	
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		<title>La Traviata</title>
				
		<link>https://runoperun.com/La-Traviata</link>

		<pubDate>Tue, 27 Sep 2022 14:15:52 +0000</pubDate>

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	La TraviataThe famous opera La Traviata by Guiseppe Verdi staged by RUN OPERUN explores what is still an acceptable norm in social relationships and what is not. How would your friends &#38;amp; family react if you brought home a famous womaniser, courtesan, someone of the same sex, or a drag queen? Where has the threshold of tolerance shifted since the premiere of the provocative opera La Traviata? We want to fulfil the original intention of the opera and draw the attention to the “modern man”, who is still pressured by the court of public opinion. 

In its production of La Traviata, RUN OPERUN joined forces with an established dancing ensemble PLAYboyz under the direction of a choreographer Martin Talaga, who has long studied the themes of nudity, sexuality and queerness. The choir was replaced by drag queens and the music was enriched through electronic elements. Top Czech and foreign performers, with whom both ensembles were cooperating for a long time, were cast in singing and choral roles.Collaboration with&#38;nbsp; PLAYBOYZThe ensemble PLAYboyz focuses on dance and physical theatre, performance and experimental theatre (SYNovial, SOMA a SOMA workshops, Faunus, Homo Sensorium a PiNKBUS). In 2020, the ensemble introduced a new creative platform called PiNKBUS through which the ensemble entered its new creative phase. The creators managed to combine the underground drag &#38;amp; queer scene with professional artists (Jaroslav Vinařský, Nela Kornetová, Katarzia, Just Karen, Tonic ad.). The PLAYboyz ensemble thereby established the first platform for queer art in Prague.



	

	
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	Watch footage of the performance




	PhotogalleryPhotos by: Jonathan Machander, Apolena Vondrášková

	
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&#60;img width="4801" height="3200" width_o="4801" height_o="3200" data-src="https://freight.cargo.site/t/original/i/314047ce0c2dcc9acf0880ee1a187055f6929ec99c8a960e61ba36d613fabb92/2021-08-05-ROR-Traviata-59.jpg" data-mid="154202554" border="0"  src="https://freight.cargo.site/w/1000/i/314047ce0c2dcc9acf0880ee1a187055f6929ec99c8a960e61ba36d613fabb92/2021-08-05-ROR-Traviata-59.jpg" /&#62;
&#60;img width="5252" height="3501" width_o="5252" height_o="3501" data-src="https://freight.cargo.site/t/original/i/37216d0af823dd1aa90cd9d5f7b79c213cb320e8d439d1e1f78db24d398a9ead/2021-08-05-ROR-Traviata-61.jpg" data-mid="154202555" border="0"  src="https://freight.cargo.site/w/1000/i/37216d0af823dd1aa90cd9d5f7b79c213cb320e8d439d1e1f78db24d398a9ead/2021-08-05-ROR-Traviata-61.jpg" /&#62;


	Cast

	Violetta: 
Roxane ChouxVioletta:
Szymon Patrylak

Alfredo: 
Luis Carlos Hernandez Luque 

Germont: 
Andrij Škurhan

Flóra: 
Eliška Gattringerová



	Annina: 
Tomáš Procházka (La Cuntessa)

Baron: 
Daniel Kfelíř 

Doctor/Markýz: 
Jan Janda 

Gaston: 
Vladimír John

	

Drag Queens: 
Just Karen
Tonic Garbage
Radim Klásek
Chlorophyll von Needle

Company: 
Kristýna Fílová
Victor Tarasov
Pedro Willing
Jarek Lambor

	Production

	Artistic Concept:
Veronika Loulová &#38;amp; Martin Talaga

Musical Staging: 
Ahmad Hedar

Musical Arrangement: 
Tanita Yanková

Scenography: 
Matěj Kos 

Costum Design: 
Vojtěch Hanyš 

Make-up Art:&#38;nbsp; 
Justina Urbanová 

Light Design: 
Miriam Čandíková
Anna-Marie Maxera

Sound Design: 
Juraj Mišejka
Michal Brůna
Jan Středa


	Graphic Design: 
Jáchym Moravec
Marek Bulíř
David Babka 

Taylors: 
Andrea Gajová
Vojtěch Bašta

Costumes: 
Johana Minářová
Stefan Jurasko

Scenography Assistant: 
Dušan Prekop
Jiří Procházka

MUA Assistant: 
Eva Valešová
Julie Dočekalová

Assistant to the director: 
Vladimír John 

Musical Staging Assistant: 
Jan Mára 

Violoncello: 
Štěpán Drtina
	Head of Production: 
Adriána Spišáková

Music Production: 
Johana Matunová

Marketing and PR: 
Mahulena Vondrášková

Technical production: 
Štěpán Hejzlar 

Production: 
Martina Watzková
Vilma Bořkovec

Music Production Assistant: 
Anna Šlachtová

PR Production Assistant: 
Barbora Hamáčková 





	
	
	


	Do you like it?
Don't miss our&#38;nbsp;next event!






	
&#60;img width="300" height="32" width_o="300" height_o="32" data-src="https://freight.cargo.site/t/original/i/54e35c5a723d53f9b5ab976e327c8482f0f51c7c39297d87afd589c935d29e90/runoperun_colors_logos_v2--06.svg" data-mid="154202562" border="0"  src="https://freight.cargo.site/w/300/i/54e35c5a723d53f9b5ab976e327c8482f0f51c7c39297d87afd589c935d29e90/runoperun_colors_logos_v2--06.svg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>The Logic of Chaos</title>
				
		<link>https://runoperun.com/The-Logic-of-Chaos</link>

		<pubDate>Tue, 27 Sep 2022 14:15:54 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

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&#60;img width="300" height="32" width_o="300" height_o="32" data-src="https://freight.cargo.site/t/original/i/bc50f9fc8aa6d096d46f60970f2eaec03e8035106bf23f2d5bcaf0aadf6c805c/runoperun_colors_logos_v2--03.svg" data-mid="154202573" border="0"  src="https://freight.cargo.site/w/300/i/bc50f9fc8aa6d096d46f60970f2eaec03e8035106bf23f2d5bcaf0aadf6c805c/runoperun_colors_logos_v2--03.svg" /&#62;

	The Logic of Chaos
This original production examines the effects of small neurotic disorders and obsessions on normal social situations. This project, among other things, stems from the fascination we derive from observing reality, whilst also acknowledging that our limited perspective prevents us from capturing reality as a whole. Our vision is distorted by several tiny factors, which prevent us from appreciating everyday situations in all of their complexity. Through our self-absorption, we often interpret various situations only through our narrow vision. Self-censorship or, conversely, high self-esteem then becomes the main mediator of our comprehension of social situations and their interpretations. Insecurity and fear paralyse us. We tend to attach greater importance to our own perspective than it actually has in the grand scheme of things. 


Four strangers reply to the same newspaper advertisement and they meet in the same apartment belonging to a strange man: a shy lady, a blunt conspirator, a driver suffering from an anxiety disorder, and a mysterious woman, who constantly holds her phone and often disappears into the same room. Everyone has their own obsession, which they manage to hide with varying degrees of success. What brought them there? Why do they repeatedly and willingly bring themselves into uncomfortable situations? Can they overcome the mental barriers brought upon them by their own minds? The kernel of the directorial concept lies in the fact that both the libretto and the music were created based on collective improvisation built upon a simple thematic framework.

The opera Logic of Chaos by RUN OPERUN premiered on September 1, 2021, in the experimental space NOD, which also served as a residence for its creation. 

	
	
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	PhotogalleryPhotos by: Vojtěch Brtnický



	
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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/98f75eb3f8964d5203ece4295aa287d352ee302b2747877acc63f1ecc38ca92c/20210831_2957.jpg" data-mid="154202584" border="0"  src="https://freight.cargo.site/w/1000/i/98f75eb3f8964d5203ece4295aa287d352ee302b2747877acc63f1ecc38ca92c/20210831_2957.jpg" /&#62;
&#60;img width="5092" height="3395" width_o="5092" height_o="3395" data-src="https://freight.cargo.site/t/original/i/ceca44bc8b7ae4a5c1f27ac931e7cb0c5d2a70062b375869a14a910f17b277f9/20210831_2973.jpg" data-mid="154202580" border="0"  src="https://freight.cargo.site/w/1000/i/ceca44bc8b7ae4a5c1f27ac931e7cb0c5d2a70062b375869a14a910f17b277f9/20210831_2973.jpg" /&#62;


	Cast

	Jan: 
Milan Vedral 

Róza:
 Eliška Gattringerová



	Václav: 
Raman Hasymau

Lucie:
 Eva Esterková/Kristýna Kůstková


	
Heřman:
 Martin Vodrážka


	Production


	Plot: 
Vilma Bořkovec
Barbora Pokorná
a kolektiv 

Composition of Music:
 Kryštof Kříček
Václav Havelka 

Libretto: 
Vilma Bořkovec 

Music collaboration: 
Anna Novotná Pešková 

Music Improvisation Coach: 
Bella Adamova 

Director: 
Vilma Bořkovec 



	
Dramaturg: 
Barbora Pokorná 

Choreography:
 Helena Šťávová Ratajová 

Scenography: 
Anna Pospíšilová 

Costume design: 
Vojtěch Hanyš 

Light design: 
Judita Mejstříková 

Make-up Art: 
Justina Urbanová 

	Props: 
David Ramdan 

Production: 
Martina Watzková
Adriána Spišáková 

Marketing &#38;amp; PR: 
Mahulena Vondrášková 

Music production:
 Johana Matunová 

PR production Assistant: 
Barbora Hamáčková

	Do you like it? 
See what we're planning next!

	
&#60;img width="300" height="32" width_o="300" height_o="32" data-src="https://freight.cargo.site/t/original/i/bc50f9fc8aa6d096d46f60970f2eaec03e8035106bf23f2d5bcaf0aadf6c805c/runoperun_colors_logos_v2--03.svg" data-mid="154202573" border="0"  src="https://freight.cargo.site/w/300/i/bc50f9fc8aa6d096d46f60970f2eaec03e8035106bf23f2d5bcaf0aadf6c805c/runoperun_colors_logos_v2--03.svg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Rusalka at Stalin's </title>
				
		<link>https://runoperun.com/Rusalka-at-Stalin-s</link>

		<pubDate>Tue, 27 Sep 2022 14:15:56 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

		<guid isPermaLink="true">https://runoperun.com/Rusalka-at-Stalin-s</guid>

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	Rusalka at Stalin's&#38;nbsp;

The famous Czech opera Rusalka by Antonín Dvořák, as presented by RUN OPERUN, faces the contrast of today’s world - which in her eyes embodies the great unknown but is also a source of incredible excitement. Thus, the inhospitable norms of contemporary society do not intimidate her from falling in love with a stranger. Love attracts the main heroine so much that she abandons the dictates of the supernatural world, which is governed by Vodnik (the water goblin). But she soon finds out what all the superficial charms of real-world courtship can do with her deep feelings. In this sense, the spectator becomes a witness of a timeless struggle that withstands the power of time. Run OpeRun thus presents Rusalka not only as the victim of industrialised cities but also as a victim of a hundred-and-twenty years old story taking place in a pulsating city on hot summer days.

	

	
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	Photogallery:
Photos by: Marie Anna Borovková



	
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	Cast&#38;nbsp;

	Rusalka:
 Soňa Godarská
 
The Prince: 
Daniel Matoušek
 
Ježibaba (a witch)/
Foreign Princess: 
Petra Vondrová


	First wood sprite: 
Eva Kývalová
 Second wood sprite/ 
Kitchen boy:
 Tereza Růžičková
 Third wood sprite:
 Eliška Zajícová


	Vodník (the water goblin): 
Jan Janda 
Gamekeeper/Hunter: 
Daniel Kfelíř

	Production

	
Director:

Veronika Loulová 

Musical Staging:

Ahmad Hedar&#38;nbsp;

Live Set:
 
Kryštof Kříček alias Kurisutaru&#38;nbsp;

Choreography:
 
Vilma Bořkovec



	Scenography:
 
Matěj Kos

Grafic design/
videomapping:
 
Jáchym Moravec&#38;nbsp;

Light Design:
 
Tomáš Vondráček&#38;nbsp;

Sound Design:
 
Michal Brůna&#38;nbsp;

Costume Design:
&#38;nbsp;
Vojtěch Hanyš



	Make-up Art:
 
Justina Urbanová&#38;nbsp;

Head of Production:
 
Adriána Spišáková&#38;nbsp;

Music production:
 
Johana Matunová&#38;nbsp;

Marketing and PR:
 
Mahulena Vondrášková



	In Media

	operaplus.cz

	idnes.cz

	ct24.ceskata.cz

	blesk.cz

	Do you like it? 
Watch the full&#38;nbsp;recording on Youtube!





	
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</description>
		
	</item>
		
		
	<item>
		<title>The Marriage of Figaro</title>
				
		<link>https://runoperun.com/The-Marriage-of-Figaro</link>

		<pubDate>Tue, 27 Sep 2022 14:15:57 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

		<guid isPermaLink="true">https://runoperun.com/The-Marriage-of-Figaro</guid>

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	The Marriage of FigaroThis production is a radical authorial interpretation of the classical opera piece - the Marriage of Figaro. Yet, Mozart’s music remains the same. The Count and the Countess are experiencing a serious marital crisis. Figaro and his beloved Zuzana fall into an exhausting game of love intrigues and each of the characters goes through a character rebirth. Each of the characters carries their frustration, their own inferiority complex, which gradually deepen in their detached and enclosed estate. As a result, the comedic style of the opera gradually culminates into a thriller...

The new adaptation stems from the internal logic of the opera: it leads the spectator to see the radical consequences of each character’s behaviour. Moreover, it combines the suggestive classical music with the disturbing competition of manipulators, their schemes and the hollow or multilayered nature of the characters. Through this interpretation, you will perceive the classic comedy as if it were happening to you. Does it really seem funny that someone might be cheating on you with a maid, that you have a lower status as a woman, or that you are being used because of your money? Not at all. That’s why we have prepared a psychothriller of morals, not a lewd comedy.


This new operatic rendition is based on the fundamental difference between the dramaturgy of Beaumarchais and Da Ponte’s libretto. Beaumarchais intended his comedy to be a provocative satiric play within the political context of the time, and thereby he was disregarding the actual complex relationships between the characters. Whereas Da Ponte aimed to depict the pain each character is experiencing, the pain that stems from the way the characters are treating one another. RUN OPERUN makes the comedy into a thriller by transforming the “love-games” into reality.



	

	
&#60;img width="2832" height="3973" width_o="2832" height_o="3973" data-src="https://freight.cargo.site/t/original/i/c0e96c53fd6b00d7585d224e0ffe95cea4f555fbdfb1e72573884d37fb76adf3/IMG_0216-1.jpg" data-mid="154202607" border="0"  src="https://freight.cargo.site/w/1000/i/c0e96c53fd6b00d7585d224e0ffe95cea4f555fbdfb1e72573884d37fb76adf3/IMG_0216-1.jpg" /&#62;

	Photogallery:Photos by:&#38;nbsp;Leona Kalvodová



	
&#60;img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/66173bdea6de5330fc7ee9cbc08ad8e7b994cafbed9ff8ff30bef5bbd6a84c5c/Kopie-souboru-19510494_845422002273309_7967122034192627399_n.jpg" data-mid="154202602" border="0"  src="https://freight.cargo.site/w/960/i/66173bdea6de5330fc7ee9cbc08ad8e7b994cafbed9ff8ff30bef5bbd6a84c5c/Kopie-souboru-19510494_845422002273309_7967122034192627399_n.jpg" /&#62;
&#60;img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/7bff52925fa60ff73627204bdccc48fc2429363e1a0894d74bc23223d1941967/IMG_0438-kopie.jpg" data-mid="154202603" border="0"  src="https://freight.cargo.site/w/1000/i/7bff52925fa60ff73627204bdccc48fc2429363e1a0894d74bc23223d1941967/IMG_0438-kopie.jpg" /&#62;
&#60;img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/7a82dc2241df8cc4a11277701196f105aff0d221c17433b990118843f5f1c324/IMG_0250-pub.jpg" data-mid="154202604" border="0"  src="https://freight.cargo.site/w/1000/i/7a82dc2241df8cc4a11277701196f105aff0d221c17433b990118843f5f1c324/IMG_0250-pub.jpg" /&#62;
&#60;img width="3926" height="2617" width_o="3926" height_o="2617" data-src="https://freight.cargo.site/t/original/i/61c73c9fc5139cd43d206b07db99c8c0b658bc4de2643b3a8b7f2ae4d7921af2/IMG_0306-pub.jpg" data-mid="154202605" border="0"  src="https://freight.cargo.site/w/1000/i/61c73c9fc5139cd43d206b07db99c8c0b658bc4de2643b3a8b7f2ae4d7921af2/IMG_0306-pub.jpg" /&#62;


	Cast:

	Figaro:
Jan Hnyk/Daniel Kfelíř

Susanna:
Soňa Godarská
/Kristýna Kůstková
Count :
Vladimír Chmelo
/Daniel Klánský
Countessa:
Eliška Gattringerová
/Tereza Mátlová


	Cherubino:
Kateřina Oplová
/Dana Šťastná
Marcellina:
Jana Prouzová
Bartolo:
Jan Janda
Basilio:
Ahmad Hedar


	Barbarina
Annemari Krčková/Johana Kopačková/Nela Skarková
Don Curzio:
Ahmad Hedar


	Produkce


	Director: 
Veronika Loulová
Conductor: 
Lukáš Klánský 
Costume design: 
Filip Jakab
Judita Mejstříková
Scenography: 
Marek Špitálský 
Choreography:&#38;nbsp;
Adam Eduard Orszulik




	
Dramaturgy: 
Pavel Klusák

Musical Rehearsals: 
Ahmed Hedar
Marco Borroni
Light Design: 
Vojtěch Kopta
Production: 
Zuzana Černá
Lucie Gabrovská
Klára Melicharová
Anastázie Slavíčková
Inspice: 
Vilma Klepková


	Jewelry: 
Justina Urbanová
Subtitles: 
Andrej Beneš
Translation from Italian: 
Marie Kronbergerová
Special acknowledgement: 
Ivana Gattringerová

	Líbí? Sleduj nás i !



	
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</description>
		
	</item>
		
		
	<item>
		<title>La Voix Humaine</title>
				
		<link>https://runoperun.com/La-Voix-Humaine</link>

		<pubDate>Tue, 27 Sep 2022 14:15:58 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

		<guid isPermaLink="true">https://runoperun.com/La-Voix-Humaine</guid>

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	La Voix HumaineThe opera La voix humaine is an intimate monodrama about a woman - that is, her voice, body and mind - in conflict with the male, often uncompromising, world. In the opera, Francis Poulenc presents a cult of female beauty without heroic embellishments and any sort of romanticization. In many dimensions and shades, this story slowly reveals not only a fragile woman in the weakest moments of uncertainty but also in waves of the deepest hysteria. Despair alternates with audacity; flirtation evolves into an intense inner struggle. After less than an hour of opera, the spectator comes to identify with the whirlwind of emotion that is all conveyed by music, scenography and other artistic components. As a result, the spectator gets to internalise intense emotions through all kinds of art.


 	The composer Francis Poulenc created this masterpiece based on the work of the writer and French cultural figure - Jean Cocteau. Therefore, Poulenc not only aimed to emphasise the female position in the world but also aspired to highlight how it is affected by the technological development of his era. The opera depicts a phone call. A break-up over the phone. An intense, intimate, interpersonal break-up with a partner through an 'impersonal medium' that distances one soul from the other - a telephone.

	
	
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	Photogallery:

	
&#60;img width="4491" height="2993" width_o="4491" height_o="2993" data-src="https://freight.cargo.site/t/original/i/58bd75c697ac0067c2fc138c6adc42af3b4b97458fa636877e7a2b6d3c551723/ROR-Lidsk-Hlas-20190925-40.jpg" data-mid="154202617" border="0"  src="https://freight.cargo.site/w/1000/i/58bd75c697ac0067c2fc138c6adc42af3b4b97458fa636877e7a2b6d3c551723/ROR-Lidsk-Hlas-20190925-40.jpg" /&#62;
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	Cast

	Elle:&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 	 &#38;nbsp; &#38;nbsp; 
	Eliška Gattringerová/Tamara Morozová

František Piřík: &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
	Adam Mensdorff
/ Václav Loula

Director: &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 	 &#38;nbsp; &#38;nbsp; 
	Veronika Loulová


	Musical staging &#38;amp; Piano:
 Ahmad Hedar

Scenography: 
					Matěj Kos

Light Design: 
					Judita Mejstříková

	Costume Design:
 					Vojtěch Hanyš

Make-up Art: 
					Justina Urbanová 

Production:	
				Ondřej Melíšek
Mahulena Vondrášková 





	

	Do you like it? 
Stay in touch.&#38;nbsp;
Here's a contact.






	
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</description>
		
	</item>
		
		
	<item>
		<title>Rusalka at Povaleč</title>
				
		<link>https://runoperun.com/Rusalka-at-Povalec</link>

		<pubDate>Tue, 27 Sep 2022 14:16:00 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

		<guid isPermaLink="true">https://runoperun.com/Rusalka-at-Povalec</guid>

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	Rusalka at Povaleč

The opera Rusalka is a touching story about a supernatural water creature that falls in love with a prince. However, in our production, we do not perceive the story within a fairy-tale context; where the fight between good and evil or the contrast between the world of men and the world of fairy-tale creatures seem to be dominant. Rather, in this production we present Rusalka more like a psychological horror, where we highlight the hideousness of the aquatic world and the frivolousness of the human world. All in all, we point out individual aspects of the characters' actions in a darker light. Why are the Mermaids trapped in the lake? Why does their relationship with their patriarchal father-figure Vodnik resembles Stockholm Syndrome rather than a family atmosphere?&#38;nbsp; Who is the Moon that everyone is looking up to?

	

	
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	Photogallery:&#38;nbsp;Photos: Marie Anna Borovková, Mahulena Vondrášková



	
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	Cast

	Rusalka:
 Soňa Godarská
 
The Prince: 
Daniel Matoušek
 
Ježibaba (a witch)/The Foreign Princess: 
Oksana Nagirna
	First wood sprite: 
Veronika Holcová


 Second wood sprite/ 
Kitchen boy:
 Tereza Růžičková
 Third wood sprite:
 Eliška Zajícová
	Vodník (a water goblin): 
Jan Janda 
Gamekeeper / Hunter:
Daniel Kfelíř


	Production:


	Director:
 Veronika Loulová &#38;nbsp;
Vilma KlepkováMusic Staging and piano:
Ahmad Hedar
Scenography:
Judita Mejstříková
Marek Špitálský
Costume design:
Vojtěch Hanych


	Make-up Art:
Justina Urbanová
Light Design:
Tomáš Vondráček
Light Engineer:
Šimon Janiček
Sound Design:
Jakub Klimeš


	Production:
Anastázie Slavíčková,
Adriána Spišáková,
Jáchym Vrecion,
Iva Gattringerová
Marketing and PR:
Mahulena Vondrášková


	In Media


	casopisharmonie.cz


	youtube.com


	


	Do you like it? 
Watch the recording of the show!





	
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</description>
		
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	<item>
		<title>The Operatic Enema</title>
				
		<link>https://runoperun.com/The-Operatic-Enema</link>

		<pubDate>Tue, 27 Sep 2022 14:16:02 +0000</pubDate>

		<dc:creator>runoperun.com</dc:creator>

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	The Operatic Enema

The all-star underworld of the opera scene, Run OpeRun presents itself annually in an original and lavish production. The production is a grandiose Cabarete delicacy, where the viewer can see just on one stage everything from the operatic version of Like a Virgin and I’m a Barbie Girl to a serious political debate Only Dvořák and Smetana or the GenyThalie Awards.

Although, the “Operatic Enema” is a somewhat surprising title, for someone maybe even a shocking title, the principle behind it is simple. It can be described in three words: performance, bizarrerie and party. Several young opera divas and Pavarottis are faced with improvisation. This handful of artists is thrown into a whirlpool of satire filled with political and social jokes. The audience can look forward to seeing a total clash of civilisations and cultural worlds, which is something definitely worth seeing! Whether the singers can withstand all of this depends only on them and on the support of the audience! And so, during these performances, everyone will find a reason to laugh!

	

	
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Photogallery:
Photos by: Vojtěch Brtnický



	
	
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	Cast

	Opera Singers: 
Eliška Gattringerová
Eva Kývalová
Adriana Žigmundová
Jakub Hliněnský
Jan Janda
Vladimír John
Ahmad Hedar
And others!
Director:
Vilma Bořkovec
Veronika Loulová


	Musical staging and piano:&#38;nbsp;
Tomáš Pindór
Scenography: 
Matěj Kos
Animation / 
Lightdesign: 
Judita Mejstříková


	Costume and&#38;nbsp; Make-up: 
Justina Urbanová
Hosts:
 Eliška Gattringerová
Vladimír John
Production:
Mahulena VondráškováJohana Matunová
Adriána Spišáková

	Are you having fun? 
Check out our next program!




	
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